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The movies that mattered in 2021, while the transmission went off and the box office suffered
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However, there were still films that mattered for a variety of reasons, some of which had as much to do with what they portrayed as the films themselves, in what is clearly an evolutionary period for film and cinema.
How much premium content is there? As a pretty funny sign, four films for this list that were shot in black and white were seriously considered: “Belfast,” “Go, Go,” “Passing,” and “The Tragedy of Macbeth.”
What did the cut do? Let’s start with a group look at a genre that offered more quality than box office dollars:
‘West Side Story’, ‘Tick, Tick … Boom!’ i ‘In the Heights
These three films could have qualified individually, but the excitement of three outstanding musicals in one year was partially offset by their commercial struggles, with only “Tick, Tick,” Lin’s impressive directorial debut. -Manuel Miranda, no questions asked. on performance below the box office under which Netflix refused to provide this data.
However, these films deserve to be praised collectively in part to encourage more, with the understanding that more in the bat will inevitably involve artistic and / or financial interventions, in the “Annette” and “Dear Evan Hansen”.
‘Shang-Chi’ and the ‘Legend of the Ten Rings‘ i ‘Charm ‘
‘Coda’ i ‘Belfast’
‘Spider-Man: No Way Home’
‘The power of the dog’
‘Licorice Pizza’
A light comedy by director Paul Thomas Anderson, reminiscent of life in the San Fernando Valley of LA during the 1970s, which validates a certain type of cinema driven by the author. In this sense, despite the problematic aspects of their central relationship, the film stood out alongside less accomplished examples of that in 2021, such as “The French Dispatch” by Wes Anderson and “Nightmare Alley” by William del Toro.
“Drive my car”
‘Escape’
In a year full of fantastic documentaries, it’s hard to think of one that more agilely combines different genres than this Danish film, using the animation to tell the story of Amin Nawabi, who fled Afghanistan to Denmark and he saw little future as a young gay man growing up under an oppressive regime.
Although used in part to hide Amin’s identity, the animation adds a vivid and almost hypnotic quality to these memories, bringing the story together in a totally original way.
‘The summer of the soul’
‘Being the Ricardos’
A fun, enlightening look at Lucille Ball’s genius during an eventful week during the heyday of “I Love Lucy’s,” Aaron Sorkin’s film is portrayed here primarily as a rebuke to the premature crowd. who opposed the casting before watching the film. Argue the merits of the film all you want (and certainly the reaction has been mixed), but the performances of Nicole Kidman and Javier Bardem as Lucy and Desi Arnaz serve as a reminder that it is usually prudent to turn off the voices of outrage coming out of social media.
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